Myra, with Billy's support, devises a scheme to raise her public prominence as a medium: kidnap Amanda Clayton, the young daughter of a wealthy couple, and using her psychic powers provide information to the Claytons and the police of Amanda and the requested ransom money's whereabouts. STARRING. In Seance on a Wet Afternoon housewife Myra believes it’s a blessing. When an injured wife murderer takes refuge on a remote Lancashire farm, the owner's three children mistakenly believe him to be the Second Coming of Christ. Synopsis. View production, box office, & company info. Creepy suspenser with fake medium Myra (Kim Stanley, Oscar nominated) persuading her husband Bill (Richard Attenborough) to kidnap a child so that she can ‘miraculously’ reveal its whereabouts. Crime, Drama, Thriller, Mystery. Want to share IMDb's rating on your own site? "Séance on a Wet Afternoon" is a novel of suspense. Title: Seance on a Wet Afternoon Summary: A medium and her husband stage a kidnapping in order for her to pretend to solve the crime and achieve fame. Bryan Forbes . Seance on a Wet Afternoon. Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live. As the trance continues, she senses that the girl was not killed. At Myra's insistence, Billy kidnaps Amanda, the young daughter (Donner) of a wealthy couple, Mr and Mrs Clayton (Eden and Newman), confining her in a room in the Savage home, whilst Myra impersonates a nurse to deceive the girl into believing she is hospitalised. Myra and Billy view this scheme as a victimless crime, if a crime at all, as they don't plan on harming Amanda, and they are returning the requested ransom. Her husband Billy (Attenborough), unable to work because of asthma and cowed by Myra's domineering personality, assists in her séances. With Kim Stanley, Richard Attenborough, Margaret Lacey, Marie Burke. Director-writer Bryan Forbes masterfully blends all the elements, including gorgeous black-and-white photography, an eerie John Barry score, and evocative art direction that … Bryan Forbes' writing and direction create an aptly clammy atmosphere and he's backed by some shrewd thesping. Seance on a Wet Afternoon.1964: https://ejunk.imrost.com/vthqjho 45+ services including Netflix, Hulu, Prime Video. Although they ask for a £25,000 ransom, they plan to return the money with the girl after Myra has become famous for helping find her. Bryan Forbes' writing and direction create an aptly clammy atmosphere and he's backed by some shrewd thesping. This crossword clue Richard Attenborough's "Seance on a ___ Afternoon" was discovered last seen in the January 10 2021 at the Daily Themed Crossword. Seance on a Wet Afternoon streaming? It’s a slow burning, atmospheric film that almost feels like a horror movie, honestly. It’s a slow burning, atmospheric film that almost feels like a horror movie, honestly. Aside from boasting one of the great evocative titles in film history, Séance on a Wet Afternoon (1964) works up a surplus of dread with a minimum of devices. Myra is the dominant in the couple, Billy, the weak-minded follower. Richard Attenborough. Myra works as a medium, who holds weekly meetings, séances, for a regular group of customers, while Billy supports her in these ventures, as he does not otherwise work, due to his asthma. Creepy suspenser with fake medium Myra (Kim Stanley, Oscar nominated) persuading her husband Bill (Richard Attenborough) to kidnap a child so that she can ‘miraculously’ reveal its … Could the same be said of the tumultuous aftermath of Kennedy's assassination and other upheavals? Siskoid I don't think you wonder for very long whether the supernatural is real in the world of Seance on a Wet Afternoon, that's not where the intrigue lies. Séance on a Wet Afternoon was remade in 2000 as the Japanese horror film Seance (Japanese: 降霊, Kōrei), directed by Kiyoshi Kurosawa. 111. The story of a strange pair of kidnappers, it was made into a well-regarded film in 1964, and has also been adapted as an opera.
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